|Harry Kirchner, 1935|
Now, I'm a huge fan of many of the interior illustrators from the old Pulp Magazines (like this Harry Kirchner illustration below). But illustrators like him maintained control of their work that I find missing in many modern "sketchy" artists (and I'm not going to name any because I'm not slamming them for being bad artists, I just don't find it attractive to my sensibilities).
I'm not being wishy-washy or trying to protect anyone's feelings, it's just that I recognize the difference between not liking something and claiming that thing is not good. It's a matter of taste, and in this case, it's very subjective.
That being said, however, there are times when I need to achieve that look in my own digital work. Sometimes the source material calls for me to recreate a work-in-progress or something rough, rather than the more-crisp noir style I've been experimenting with.
To that end, I've been playing around with some new tools, which I'll debut later this month. In the meantime, though, I thought you guys might be interested in taking a look at how I expanded the noir style by using the Sketch Designer in Poser 11. BTW:, the Sketch Designer is available in both the base version and the pro version of the software, and even goes back several years. I think it's even included with the Poser Debut software, but I won't swear to that.
|Officer looking at a notebook.|
Illustration for the Collectors' Club Newsletter #120
This is okay, as far as it goes, but the edges are still far too crisp for this type of work. This is a nice stepping stone toward the look I'm going for, but it's just that: a step on the path to creating a look that is closer to hand sketching.
I'll cover more about this (and the Sketch Designer) next week.