Comics - First Impressions: Stan (the Man) might still have it...

I hope you'll all forgive me for shuffling the schedule around this week, but I had a busy weekend and am just now getting back into town (plus, the frames to my glasses broke, so I will need to spend a big chunk of Monday getting them replaced). So, rather than rush out with a shortened review of Comic Base, I'm going to give you a quick first impression of a new comic that just came out: Stan Lee's Mighty 7.

Yes, you heard right. That's "The" Stan Lee, releasing one of his first new titles in years. First of all, the basics:

• This is a standard-format news stand comic
• It is a six-issue mini-series
• It is published bi-monthly.
• It has a cover price of $2.99
• There are three variant covers (I've got the issue pictured below)
• 24 pages of story on slick paper
• Although it says "Stan Lee Comics" on the cover, it is published by Archie Comics

Facing Down My Own Preconceptions

Now, although Archie comics has published a lot of superhero comics over the years (including the first patriotic hero, The Shield), they've been so focused on their humor books that they have never really done a good job with superheroes since the 1940s. This alone was enough to give me pause when I first heard about this comic... but it IS Stan Lee and I decided I would give it a chance, so I subscribed to it over at archiecomics.com. 

The second thing I had to get past was the name: Mighty 7. It just sounds juvenile, as though it was the title of an early 1980s direct-to-syndication cartoon. A little bit of research quickly revealed that he wanted to call it "Super 7," but that name was already in use, so a quick reshuffle and these seven heroes are mighty, instead.

Then we hit the cover itself, and this is the hardest thing to get past. These heroes look like a retread of the Legion of Superheroes. And this makes me very worried that Stan, fearing that he might inadvertently rehash some of the material he created for Marvel, decided to raid his competitor's back catalog for ideas. Or maybe this is just something left over from the Stan Lee/DC Comics experiment a while back where he reimaged DC's classic heroes, Superman, Batman, and others? In any case, by this point I was more than a little bit worried about what I would be getting. 

The Comic Itself

The first issue of my subscription arrived today and I read it while winding down for the evening. I approached it with a few trepidations (as I described above), but an otherwise open mind and more than a little bit of curiosity. The cover is decidedly (and, might I say, almost refreshingly) old-school. A group of heroes battle some big, mechanized bad guy. How 1977 is that?  

But there were the heroes again, looking very much like a nice fanzine version of the Legion. At the top it looks like we've got Dawn Star and Colossal Boy, that girl in the middle looks a lot like Light Lass, and then there's the dead ringer for a suitless version of Wildfire. And how on earth could I miss the Bouncing Boy lookalike at the bottom? I mean, why on earth would anybody parody a hero who is, by his very existence, a parody of a superhero?

Still, I sat down and read it. You know what? If this had come out in 1977-1982, I think it would have had a decent chance, in spite of being an almost blatant Legion rip-off. That probably sounds harsher than I mean it to sound. This is a cool comic that really relishes its old-school vibe and classic artwork. Here's the basic plot:

Stan Lee is talking to Archie Comics about writing some new material for them. He's got some ideas for Betty & Veronica (there's a sketch for "Betty and Veronica in the Moshpit of Doom" -- oh, and we get a cool Millie the Model joke, too). Archie comics John Goldwater (looking very nice) tells Stan he was hoping he would bring him some new superhero ideas. Stan says he's written so many of them that he just doesn't know if he's got one left in him...

On a planet far away, a renegade Star Marshal named Blastok is about to kill a businessman who poisoned and killed hundreds of people just to improve sales of his water purifiers.  As I said above, he reminds me a lot of Wild Fire, but he's also got a little Timber Wolf vibe about him. He's stopped by two current Star Marshals -- his former friends and cadets, naturally -- named Asoara (she's the flying woman) and Vallor, who reminds me of a cross between Colossal Boy and Mon-El. The two Marshal's capture Blastok and throw him in a cell with five other criminals and then proceed to haul them back to their home planet. The five of them band together and use their powers to escape just when the ship jumps into hyperspace (which will cause a very quick fluctuation in the forcefield, so it's their one shot at getting out of this).

Meanwhile, back on earth, we get a quick cutaway to a scientific experiment that is trying to control earthquakes. A no-good scientist tampers with the controls and it blows up,  releasing the mysterious "P-Waves." At this same time, Stan Lee is musing over his future in the desert and decides that he is going to retire and stop writing superhero comics... and then something crashes into the desert near him...

This isn't my first inter-stellar rodeo, so it's obvious that the criminals destroyed the navigation system in the ship, the P-Waves drew them through hyperspace to earth, and Stan Lee will actually mentor these aliens on how to become "real" superheroes.  Okay, that last bit would be a stretch for me to figure out if it weren't for the fact that Stan explained this in a previous Bullpen Bulletins column... uh, errrr, that is to say, I read it in an interview and it's mentioned on his blog: https://stanleesmighty7.wordpress.com/2012/02/05/welcome-to-stan-lee-and-the-mighty-7/

 So, aside from that, Mrs. Lincoln, How was the play?

As I said above, I tried to keep an open mind and, for the most part, I kind of enjoyed this because it had such a nice old-school feeling to it. By that, I mean it reminds me a lot of the fun comics I read back in high school and my early college days.

I had to work to get past the feeling that this is a Legion copy... and for that matter, I also felt like it has similarities to Chris Claremont's Sovereign Seven (super-powered aliens arrive on earth and make do as heroes). But this was new work by Stan Lee (doesn't he look dapper in this portrait?), so I'm willing to give it a chance just to see if there is any of that old creative spark there.

Also, it should be mentioned that although Stan's name is on the cover (he is, after all, one of the greatest self-marketed writers since Mark Twain himself), he probably only came up with the idea and then passed it off to writers Tony Blake and Paul Jackson (who, I might mention, are actually better know for writing television shows, so that makes me wonder if my Saturday Morning deja vu might not be so out of place, after all). The artwork is by Alex Saviuk, inks by Bob Smith, and the very capable lettering by John Workman are nicely finished by the bright, exciting colors of Tom Smith.

BOTTOM LINE: If you're expecting to read the next great thing in comics, you should pass on this. If you're curious to read something new by one of the greats in the field, you might enjoy reading this just so you can say you were there when Stan sang his swan song. And finally, you should pick it up it you're tired of cynical, gritty modern comics and would like, for at least 22 pages, to go back in time and read something  that feels like a recently discovered series from the heydey of 1970s and 1980s comic book storytelling.

See you back here Wednesday when I try to get back on schedule!

Rant: I'm a 40-Something Check-Out Boy... or why I hate Randall's at night

I hate checking out at Randall's at night. I really hate it. Don't get me wrong. There are some good things about it... no crowds, no screaming kids, and you can actually hear the easy adult listening music on the speakers overhead.

BUT... I hate self check out.

I MEAN I REALLY HATE IT. Heaven forbid you can check out without the dang thing freezing in the middle of a transaction. And heaven help you if you can check out with beer (please wait while someone comes up, glances at you and quickly appraises that you are old enough to have children of legal drinking age). And don't get me started on when I have a lot of things in my basket I have to pick up each and every one of them.

I have eight containers of diet coke. Eight. And their stupid system wants me to pick up and move every single one of them. Of course, the store is only two blocks from my house. I just need some milk or some coffee it is just too far to drive to Krogers. But that doesn't mean I have to like it. In fact, when my wife is not with me I usually do drive farther and go somewhere else.

The whole experience drives me crazy. Customer service is one of the things I go to a store to find. And let's face it, I am way too rude to be in the public service sector. Sometime in the near future people are going to start wondering why the sales at this store have gone down. For some reason I doubt you'll ever know the real reason that it was because penny-pinching tactics took the place of customer service.

--------------------

Anyone else with a pet peeve about self-check out or the grocery store? Let me know what you think!


Comics Talk is continues on Mon.
Check back next week for Netflix Friday!

Comics Review: Bring on the Barbarians -- Blackmark

I decided to take a quick break after that long evaluation I wrote on Monday about Comic Collector Live. So I decided to write a review of the graphic novel I'm currently reading (well, technically re-reading, but I'll explain that shortly. But first, some background about my reading habits.

I have to be in the mood to read something and enjoy it.

I know that's not odd and most people would say the same thing about their own reading/viewing tastes. In my case, though, those moods can be long and far between. Like years between. Back in the 1980s and early 1990s I dove deep into classic Disney characters like Donald Duck, Uncle Srooge and Mickey Mouse. I bought -- and devoured -- hundreds of classic comics by Carl Barks and Floyd Gottfredson. If you're not familiar with their work, you really do owe it to yourself to pick up one of the great collections out there and expand your mind with some of the best comic book art ever put to paper. This particular obsession ran for about 7-10 years, then I kind of moved on (oh, I still like the stuff, but now I mostly reread what I've already got, rather than acquiring new material).

Right now you might say I'm in the middle of an Archie Comics bender. This one's been going on for a while longer, although lately I've been happily picking up some of the reprints they are doing for Archie Comics' 70th anniversary. How does this "getting in the mood" stuff figure into this tale? Read on, true believer... read on!


What I'm reading now: Blackmark

Image courtesy of Cap'n's Comics.

While cataloging my comic books, I've been more than a little surprised by how many barbarian comics I have. So many so, that I've actually dedicated a short box to the miscellaneous issues I've got of Kull, John Carter of Mars (by the time you read this I should have seen the movie!), Ka-Zar, Iron Jaw, Wulf, Beowulf, Arak, Almuric, and of course Conan and The Warlord. And then there is the classic, unfinished epic that I am now reading by the legendary Gil Kane: Blackmark.

I hope I don't have to tell you who Gil Kane is. Suffice to say, he's one of THE masters of comic book art and is justly famous for his ground-breaking work for DC, Marvel and other publishers. He's also the one who designed the classic costumes of Hal Jordan's Green Lantern and Ray Palmer's The Atom.

Blackmark is an almost legendary sword & sorcery/sci-fi epic that Gil Kane originally published in paperback back in 1971. He had a contract with Bantam books to produce an 8-issue series that would mark the humble-but-unique origins of a young man from his being sired through his journey from slave to rebel leader to gladiator to king of a ravaged, post-apocalyptic world. If it had been finished, it would have been a grand epic. But, alas, only one-quarter of it was ever completed. In its shortsightedness, Bantam only published the first book and then pulled the plug while the second issue was finished. It took a few years for the second volume to see print in the pages of Marvel Premier, which is where I saw this raven-haired, wild-eyed conqueror for the first time.

This, as it turns out, was the second chapter of this epic. It was published in late 1979, although to be honest, I don't think I discovered it until around 1986 or '87 in a bargain bin at Rita's Fantasy Shop in El Paso, Texas.

The magazine was oddly formatted and that affected my interest in it at the time. Marvel and Kane had split the vertical pages of the paperback art up into separate panels and Kan even added some artwork to fill the space of the more rectangular pages of the magazine. Coupled with the fact that the art had been blown up quit a bit (this produced thick lines and very coarse zip-a-tone shading), the entire experience was less than idea.

I think I skimmed it at the time, enough to remember some of the details, but not all. That's why, reading it now, it's almost as though I'm reading it again for the first time.

So, years pass and it's 2002. For the 30th anniversary of the original publication of Blackmark, those great guys over at Fantagraphics Books reprint a special edition in a 6x9 inch trade paperback with crisp white paper. This size, as they say in the essay at the rear of the book, is a nice compromise between the original paperback size and a new size that increases the size of the art and text without making the zip-a-tones overpowering or making the line art too thick and coarse. And, for the first time ever, they reprint the second chapter, "The Mind Demons," in its original format for the first time. The essay in the reprint even has a few comparison images that show how Kane reformatted this book for the magazine version.

So... I bought the book in 2002. And I read the essay. And I put it on a shelf for 10 years. I didn't open it again until last week.

Yup, I knew I would want to get to this someday, but that day wasn't until recently when (I guess) all the hubub about the John Carter movie and finding all my old barbarian comics (I have more than I thought I did) got me in the mood to read this for "the first time." See, I told you that stuff I wrote about way up there would tie in eventually. So now I'm in the mood to read this and enjoy it.

And enjoy it, I am! And we'll get into the specifics of why next week (yeah, I know... I'm a blog tease).

----------------------

By the way, there are some fantastic Gil Kane Blackmark images over at Cap'n's Comics: http://capnscomics.blogspot.com/2012/01/blackmark-by-gil-kane.html You really should do yourself a favor and cruise on by to take a look.

Comics Talk returns Mon. with a discussion of Comic Base
Wed. I'll complete my review of Blackmark
And be sure to swing by for my rant about why I hate to buy groceries at night!

Comics: Bring on the Bat Computer! My hunt for a comic book database Pt. 2

As I said last week, I did a google search and started my hunt for a good Comic Book collecting database with these three options:

• www.comiccollectorlive.com 
• www.comicbase.com 
• www.collectorz.com/comic

I had heard of the second title before through my friend Paul, who has a DVD Collectors' software package that he uses to track his obsession with buying more movies than he can ever possibly watch. A few months back I had mentioned that I was thinking of cataloging my comics and he mentioned that the DVD software people made a comics version. The other two titles were new to me.

The first thing I noticed when I went to their Website was that it was pretty darn busy. Lots of covers, lots of ads, lots of... well, everything!  In fact, at first glance, the site looked like it was owned by an online comic book company that sold collectibles along with new and back issues. I actually had to read the details on the home page to figure out that they did, indeed, have a software solution available for comic book collectors. Here's a shot of their Website home page on March 9, 2012.

I certainly don't mind that they have a lot of irons in the fire, as that probably means that they could help me monetize my collection when and if I'm ever ready for that. But still... it did give me pause. Nevertheless, I downloaded the trial software and took a look at it.

I downloaded and installed ComicCollectorLive 3.1.4, It installed on my Windows 7 computer in a few minutes without any problems. When I opened the software, I was greeted with this message:

Comic Collector Live  Subscription Only $29.95 per year! Get hundreds of hours of fun, enjoyment, and the most up-to-date comprehensive information about all of your collections.  Live New Release Updates.  Live Data Change Updates.   Live Downloads of Covers and Item Images.   Track Variant Covers Create a Wish List.   View Gaps in Your Collection.   Much Much More  Collector Live lets you organize all of these items: Comic Books  Graphic Novels  Trade Paperbacks  Comic Related Magazines Action Figures  Statues & Busts  Original Comic Art  Trading Cards  Much Much More  Enjoy tracking your comic books, action figures, and more using this great community system. Built and managed by fans just like yourself, you will find Comic Collector Live to be the most fun and productive tool you have ever experienced for this industry.

Although this is a very comprehensive list, I was put off by the yearly subscription fee. As you may recall, that was on my list of things I didn't want. Still, I pressed on, as the software itself looked promising. The software is designed to conform to modern Windows design standards: It has a ribbon across the top with icon groups, there is a navigation pane to the left with collapsible panels that expand and contract to allow you to quickly switch between Publisher/Title/Character/Story Arc. The Publisher view has a standard treeview that, unfortunately, only allows one folder to be expanded at a time (i.e. if you have a folder open and then click on another folder, the first one automatically collapses).

The Character sort option looked promising, but as we'll see, it really didn't pass muster because, apparently, there isn't enough info in their database.

To give the software a shakedown, I quickly entered a few titles. I found this to be awkward, as I first had to browse for the title and, after it was selected, I was able to select individual issues. I'm not saying it's a bad system, but it didn't seem intuitive to me. I figured any database worth its salt could handle all the geek chic titles like Batman, Superman, JLA, Spider-Man and the countless X-Books.  So I decided to enter some comics that were a little more esoteric: Archie Comics.

I added Archie and Veronica as titles to the catalog, which appears to download issue info in a batch and only covers as needed (fortunately I have a fast Internet connection, so this wasn't an issue). Also, I do prefer that it only store the covers of issues I actually have (I have a big hard drive, but there's no reason to waste space). With these two titles in place,

I decided to go way out there and add another oddity: an old Gold Key comic called Space Family Robinson (this is an odd title from the 1960s that actually pre-dated the Lost in Space TV series: for the odd back-story, check out the Wikipedia article about it).

Now with a few titles to work with, I gave the software a shakedown. I poked around and figured out how to add titles/series, but I couldn't figure out how to add individual issues to my own collection. I finally had to resort to the help file to find out that you could add single issues or runs of issues by looking at comics in the Inventory View (there are three views for the main part of the screen: Folder, Inventory and Image). Once I understood that each issue was a single row that could be expanded with a treeview option that let you look at multiple copies of the same issue, I quickly added some comics to my own collection.

I actually liked this option because it let you easily track multiple copies (and multiple grades) of the same issue. But I DID NOT LIKE that you could only enter single issues or "runs" of issues that do not have gaps. So, if I'm missing a single issue in my Jonah Hex collection (say #47), I would either have to enter issues #1-46, #48-up or just enter them all and then go back and delete what I don't have. This was not intuitive or time effective.

I was also VERY DISAPPOINTED that you cannot add comics by right-clicking the cover image in the catalog view. In this image below, you can see the image area (this is actually a picture of comics I added to my collection, but it looks the same as the catalog view with the Image View tab (bottom of screen) selected. I mean, really? I have to go to the spreadsheet and remember each issue number? That's very slow and annoying. This may not seem like much when dealing with a modern title like Veronica or Archie, but some of those old Gold Key and Whitman comics don't have issue numbers on the cover, making it time consuming to open them and then select the number. I wasn't happy with this.

On the other hand, I was pretty happy with the depth of their cover database. It had a lot of variant covers (including the Gold Key and Whitman variants of the Space Family Robinson #44 that I show up above). Ditto for the Veronica #202 (I have three copies of the white dress first printing and two copies of the red dress second printing).

I poked around with the application for about three or four hours before I decided that it wasn't for me. Although some of the features were cool, and it did do everything it said it would do, it just wasn't for me.


CONs - Things I couldn't live with:

• The catalog view was very clunky. Since it only downloads covers when you are browsing, this means you have to wait to see the covers as they appear. So, if you want to see Veronica #202, you have to scroll down, wait for two rows of covers appear, then scroll down again, wait... scroll down again, and so on. It took 2-3 minutes to get through to the end of the Veronica series (around 230 issues). I shudder to think of how long it would take to go through Archie (630+ issues) or Action Comics (more than 900!)
• I hated the "enter runs" feature. I would much prefer a checklist approach that let me pick any issue (or skip any issue) in a run. Their method was just too time consuming.
• I found that there were a lot of Archie comics that did not have any creator or plot info listed in their details. I know I shouldn't expect too much because these are not highly collected, but nevertheless, I've got to be picky before I spend my hard earned cash.
• I also did NOT like the idea of a subscription. $30 a year can add up, especially when you consider that I'm looking for an "evergreen" solution to cataloging my collection.
• The interface just didn't suit me.

PROs - Things I did like:

• Cover database was VERY thorough. 
• Software was modern looking
• Quick response time, except when scrolling for covers in the catalog

So, as you can imagine by comparing the Pros and Cons listed above, I did not choose this software package. But before I close the page on this, I do want to say that just because I didn't like it doesn't mean you might not like it. If you are into more modern comics (i.e. 1990s - up) and you plan to sell comics, then I think Comic Collector Live could be right for you.

Check back Wed. for my review of a classic comic I'm reading now.
I'll continue my hunt for the best comic collecting database next Monday with a look at ComicBase.

And Friday I will finally run my long-promised Rant about why I hate grocery shopping at night!

Netflix Friday: National Lampoon Presents Dorm Daze

Way back in the halcyon days of the mid 1980s, National Lampoon magazine was one of the funniest, most irreverent things on the news stand (okay, we've had this discussion before -- on the magazine rack at 7-Eleven). These days, its name lives on only to market cheap comedies filled with sex and drug references.

Not that there's anything wrong with that. After a long week, sometimes that's exactly the sort of thing I'm in the mood for. The other day I saw a trailer for the upcoming American Pie Reunion movie, which put me in the mood to find something of similar ilk. Friday night after my wife went to bed, I browsed Netflix and found something that -- for no discernible reason I could fathom at the time -- I selected National Lampoon Presents Dorm Daze.

I went in with low expectations, hoping for a few funny gags and some non-gratuitous T&A (that's right, I wanted T&A that was essential to the plot, not just extraneous -- you know, like you find in your better slumber party pillow fight scenes). Well, there were no pillow fights in this movie, but I was wonderfully surprised by a rather enjoyable farce that moved at a pleasantly brisk pace. Of course, you would never know this from the official description from the Netflix site, or even from the movie's trailer (both included below).

-- Description from Netflix Web siteAs Christmas break approaches, coed college students run amok in their dorms in this comedy of misadventures. It's a case of mistaken identity when two girls who are both named Dominique visit campus: One is a hooker hired to deflower a male virgin, while the other is a foreign exchange student who speaks only French. Other higher-learning high jinks involve a couple of gossipy girls, a geek, a gangster and a missing purse full of cash.

Ignore the official info and read on as to why you should watch Dorm Daze.

Dorm Daze is a classic drawing room/manor house play set in a modern dormitory. The classic roles of servants, cooks, maids, valets, master, mistress, rich sons/daughters have all been replaced with about 11 college students and a few other characters (like the aforementioned hooker named Dominique). Honestly, with very little work this screenplay could be rewritten and would do quite well as a Masterpiece Theater production with the BBC.

Here's some twisted highlights (and no, I don't think I can make it much clearer because it's one of those types of movies); One of the girls is about to lose her scholarship when she receives a package containing a plaid purse with $30,000 and a note. She calls a phone number on the note and meets a guy who thinks she's some sort of hit woman or criminal; she's not sure which, but she plays along and cooks up a scheme to get the money so she can stay in school. Meanwhile, Styles hires a prostitute for his younger brother's Christmas present (now that's brotherly love), but the brother doesn't want it because he's in love with his girlfriend. Then we've got the hooker and the foreign exchange student, both named Dominique, who naturally get mistaken for each other; so Styles is trying to get the French girl to do his brother, whereas the hooker is getting upset about not getting paid. Then there's a visiting guy named Cliff who doesn't want to talk to anyone, so he pretends he can't speak English (which means that other people talk freely in front him, wherein he learns about the money and figures out who the hooker is). Then there are the romantic entanglements: Geeky Newmar likes Adrienne (she got drunk and made out with him last night), but she has feelings for local hottie Foosball, who is actually gay. Things go wild from there, with four notes (love poem, instructions to the criminals, love letter and a phone number) all get mixed up with predictable results. We even have trouble between long-term girlfriend/boyfriend Claire and Tony with a subplot where he accidentally keeps banging into her, so the local drama/gossip queens Marla and Lynne are convinced that Tony is beating Claire, and cheating with Adrienne. Honest-to-gosh, they do the old bit where Adrienne and Tony are rehearsing for a play and are overheard through a door, after which many misunderstandings ensue. Until, of course, true love finds its way at the end and all is right with the world... or is it?

In the "Hey, I know that actress file": Marla is played by Danielle Fishel who played Topanga in Boy Meets World, and Claire is played by Tatyana Ali who played Ashley in the Fresh Prince of Bel-Air.

By this time, though the pace has picked up so much that if you're still watching, you're going to just dive in and enjoy the ride. This is not a serious movie, but it's actually better written and better acted than you would suspect from the official descriptions and from my babbling on about it here. If you want something a little more cogent than my fanboy ramblings, check out this fairly detailed plot summary from IMDB.

The IMDB summary calls this a "collegiate comedy of Shakespearean proportions." I find that really apt since, as I said above, this really felt like an old-fashioned play. While watching it, with all the door slammings and note swappings, I couldn't help but think of the classic play (and movie), Noises Off! You could almost swap out the play-within-a-play -- Nothing On! -- with a reworked Dorm Daze, and you would still have a hit on your hands.

If you like classic comedies built on mistaken identity, misunderstandings, slamming doors, running down hallways, misplaced notes, and duplicate bags of money, then this is definitely a movie you should watch. Fair warning: it does have an R-Rating, so there are a few curse words here and there (nothing much, though), and a little bit of completely necessary nudity (okay, it wasn't necessary but that doesn't mean I didn't enjoy it). All in all, the naughty bits are pretty mild and were not included for shock value.

Out of five stars, I give this movie ****
Summary: "If you give this movie 15 minutes, you'll get sucked into a modern update on a classic drawing room/manor house comedy."

Comics: Looking for a "Super Computer" to catalog my comics - Pt. 1

So I've decided to figure out what I've got and (if the Joker #1 has taught us anything) where it is. For this, I obviously decided to turn to my computer. Or maybe even a Super Computer!

Okay, I guess my computer doesn't need super powers, but it does need the right tools to do the job. Here's what I was looking for:

• Easy to use
• Must have database of covers (including variants)
• Windows based (online components are okay, but I want this hosted on my own computer)
• Extensive database of creators, plots, characters, publication year, etc.
• Lets me enter multiple comics at a single time
• Let's me record when I have multiple copies of the same comic
• Not overly expensive (I would prefer not to pay any on-going subscription fees
• Ability to enter "location" information so I can keep track which long/short box a specific comic is in (curse you, Joker, this one is a deal breaker!)

With these requirements in mind (yes, that's actually the way I think) I hit google and started to search for reviews of comic book database software. This was one of the first reviews I found at About.com, and it actually added a few items to what I already knew I was looking for:

• Browse and search capabilities
• Wishlist. This one is so obvious that I can't believe I didn't think of it. Just because I'm missing Marvel Comics Mighty Mouse # 7 - 9 does not mean I'm really in any hurry to find them. Oh, sure... if I found them in a bin for 25 cents a book, I'd pick them up because I'm that compulsive, but it doesn't mean I'm itching to get them).
• Determine the value of your collection. Okay, this one did cross my mind when I was thinking of my original criteria, but I wasn't sure it was feasible because comic prices are so darned subjective these days. Honestly, the only way to accurately gauge the street price of a comic is to monitor ebay and see what they're going for (my quick hunt for those Mighty Mouse comics shows them to be worth about $1 - $2 each, depending on condition; a similar hunt at mycomicshop.com concurs with those prices.
• Web access to my collection so I can use my smart phone at the comic shop before I spend money on a back issue.

This article also pointed out the fact that I wanted a flexible system that could handle graphic novels, digests and other formats beyond the "standard" comic book. I was also going to be aware of the fact that some of the software solutions were more geared for entering new comics than for cataloging vast, ongoing collections. Even though  I only buy a few titles a month these days, my horde is still growing and I need to make rum for my new stuff.

These were all cool features and reviewer Ben Sweetser did a very thorough job of examining three products. After reading his review, I promptly investigated each and every one of them (another bullet list? I think I'm setting myself up for an intervention: "Mike, your use of bullet lists is affecting the people who love you and we would like you to see help. Perhaps someone could help you re-learn how to make quick, valid points without them?").

• www.comiccollectorlive.com 
• www.comicbase.com 
• www.collectorz.com/comic

I now had a starting point for my quest... now it was time to soldier on and see which (if any of them) was worthy of putting on a cape and becoming my Super Computer!

Comic Talk continues Monday as I start to review each of these products

Netflix Friday is a blast as I review a cheesy little movie that is MUCH better than I thought it would be

Comics: Where did I put that copy of Joker#1?

One of the main problems I'm having is that, with 10,000 comics stored in about 30+ boxes, I just can't find anything. In general, the stuff I packed up prior to moving off to college in 1984 is actually in pretty good shape. Comics are boarded and bagged and alphabetized from A-Z (roughly Alpha Flight to Zot!). But after that, things begin to get a bit chaotic.

Even back in the early 1980s and 1990s, I was buying about 30+ comics a month. And sometimes significantly more than that. When I was single and had a good job and a low car payment and rent? Fergitaboutit! I was hauling in danged near 50 comics a month for quite a few years. Funny how marriage and a mortgage cuts into your buying power, eh? And no, I don't regret it a bit! :-)

But during these days, I didn't take the time to board and bag everything, and I certainly wasn't spending the time to go back and reshuffle things to insert new issues into the old alphabetized collection. This meant that I was just kind of putting comics together by title and general time period. For example, X-Men wound up next to X-Force from the same year, but if the box I was putting them in got filled up, I just moved on to a new box and continued putting them in there. So, about five years of various X-Titles are scattered through three long boxes. Along with lots of other stuff, naturally.

This caused a big problem whenever I might want to find something that had been put away. For example, there was the time I wanted to sell my copy of JOKER #1.

The Joke's on me!
Back in 2008 when they released the movie, The Dark Knight, Heath Ledger's portrayal of the Joker was setting fire to everyone's imagination. It was an amazing performance and rightly earned  an Oscar for it. At that time, interest in the Joker had bumped up the price of any early comics featuring the Clown Prince of Crime.  I happened to have The Joker #1 and #2 from his short-lived series from 1975. The comic, which normally sold for about $5-$7 on ebay had climbed north of $40. I reckoned that I could easily get $50 for the pair.

My plan was simple: I would sell the comic now at a higher price and then, later, when the price came back down, I would rebuy it. You see, movies and TV shows do not seem to have a permanent effect on comic prices. The interest they generate is artificial and any price spikes you see will almost certainly be temporary.

I went to my storage facility (that's where the books were at the time) and I moved all the boxes around so I could get to the J-M Longbox... and it wasn't in there! I cracked open the B box in the off chance I had stored it with Batman... and it wasn't there, either. So, there I was, with thousands of comics, and I couldn't find the two I was looking for. The movie passed, the price peaked, and the price of the comic has gone back down to about $10-$15, depending on condition.

By the way, I finally did find the book. Apparently I had moved it in with some miscellaneous Batman titles (Catwoman, Birds of Prey, etc.). So that leaves me with the another aspect of the problem I'm facing: It's not just about keeping my comics stored and safe from moisture and damage, it's about putting them into a system of organization that will let me find what I want when I want.

And for that, I've decided to turn to software.

Comic Talk continues on Wed. when I tell about my search for the "perfect" comic book database.
Netflix Friday continues with a surprising find that was much better than I expected it to be.