In this one, the thing that gave me fits were the laser pulses.
Rather than just draw them in postwork (which, in retrospect, would have been easier), I wanted them to have a realistic rounded edge to them. So, I set up two rows of about 15 little "pills/capsules" in Poser and parented them to the pursuit ship. This gave me a great prop to work with that maintained the proper position and aspect ration as I put them into the scene.
Of course, this turned out to be a problem and I had a lot of issues with them. I tried all sorts of experiments to get a good look out of them, and they just didn't work. I even spent about two hours applying little, feathered motion lines after each pulse. That was a colossal waste of time!
I finally fell back on semi-transparent fills with a slight gray glow effect. All in all, it works well enough. And I am pleased with the dramatic effect of moving the lead ship off the page: it just screams of action.
© 2020 Mike Mitchell |
Standard workflow applies: Poser Pro 11 and Clip Studio Paint.
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