Netlflix Friday: Eden of the East Update

Last week I talked about a cool anime that I'm watching called Eden of the East.  I was about midway through the series at that point and since then, things have changed a bit -- and with it, my thoughts about whether this is anime for people who don't like anime.

Around episodes 6 and 7, we get a strange tangent storyline that is definitely not suitable for kids and is not family friendly. It also ends in a weird scene that, although explained, sort of blows the whole "fairly realistic" comment I made about this show last week.

Takizawa is searching for the other "Saviors," that is the people playing the "game" to save Japan. In order to find more information about his own past (did I mention last week that he found out that he has amnesia because he purposefully wiped his own memory?) that he has started tracking down the other players in the game. One of them was crooked, another was actually a doctor who set up a free community for the elderly (and then met his fate because he spent all his money without playing to win), and then we find the next one.

She's a beautiful business woman who is  powerful and, welllllllll, she's a bitch. A mega bi-atch. She treats her staff like dirt and has the emotional depth of a drop of rain water. Oh, and she's a serial killer who, apparently, has kidnapped one of Saki's friends and is about to use the cigar cutter (see the picture below) in a way that should make every man reading this cross his legs.

You see, she's the notorious (some say urban legend) Johnny Killer. So named because that's what she cuts off. Takizawa tracks her down and confronts her, the two revealing that they are both playing the game. This is where the "realism" seems to take flight... literally as the killer sprouts giant black wings and flies off with her victim.

When I saw this happen, I thought that this was some sort of unnecessary twist and a nod out to the guys who like more fantasy in their anime. But at the end we catch a glimpse of her cell phone and it shows an expense for creating an illusion. Yup, an intense illusion of her sprouting wings and flying away.

Now I'm left to ponder if this was some sort of fan service (i.e. something gratuitous for the fans) to show a dark angel in her underwear, or is this some sort of preview of the sort of power that can be harnessed by whoever is running the game? In other words, will Takizawa need some sort of illusion in the future? Only time (and a handful more episodes) will tell.

BTW: Last week I gave you guys some bad info. I said that Netflix does not have either of the two Eden of the East movies. I was wrong. They have the first one.

See ya back here next week for more fun and frolic.

Comics Software Review: Choosing Collectorz.com, pt. 5

One of the joys of cataloging my comics is finding things I had forgotten -- or that I didn't even know I had. There is a difference, you know. The former happens when you open a box of comics (in this case marked, "OLD" on the front) and finding those extra copies of Karate Kid that you had wondered why they weren't with the rest of the series in the "K" box.

The latter is when you find something that you're not 100% you've ever seen before, such as Dagar The Invincible #14. This was an interesting little title that I had probably picked up as part of a collection. Looking through it now, I don't think I've ever read this story before, which is actually pretty good. Writer Don Glut and artist Jesse Santos did a capable job with this sword and sorcery tale. It reminds me of something that would have been put out by DC Comics during their DC Explosion years. Thanks to Collectorz.com, I can now look that up in my Barbarians box (that is to say, I have stored the location under the "Personal" fields listed in the software).

The "bad" part of cataloging comics is that it can take a lot of time. Tonight, for example, I manually entered 25 comics (mostly old Marvel Western comics from the 1970s that I inherited from my little sister, Lori). These are a lot of cool Kid Colt, Rawhide Kid, Ringo Kid and other classic titles that she bought in the mid 1970s when we were living in El Paso, Texas. At the time I preferred superhero comics, so although I read these, I didn't really "dig" them, to use the lingo of that time.

Click to see full-size image.

Now, of course, I really like them a lot and I'm very happy to have them in my collection. I also think it's cool to see her handwriting from waaaaay back when. Hmmm. I'm thinking she would have been in third or fourth grade at the time (this is from 1974, so she would have been about 8 years old at the time). Someone else do the math -- I'm just not sure what grade she was in. But whatever grade it was, she wrote her name in most of her comics, which probably meant she took them to school with her.

But I digress.

It took me about 30 minutes to enter 25 comics. Part of that time was spent tracking down an errant cover to a Lone Ranger comic. The other part was updating some of the cover price info on the Kid Colt comics. But still, even if that's one minute a comic (an average created from me having to fix things and submit corrections -- most of the titles were entered in less than 10 seconds), that could definitely add up over the course of entering another 7,500 comics (which is about how many I have left to go).

One way to theoretically speed things up would be to use a barcode scanner. Barcodes were added to comic book covers in the late 1970s. If memory serves me right, this happened in 1976. But I could be wrong, and a 2-minute google search didn't yield the results I wanted. Before then, comics were not cluttered up by the UPC barcode (like the cover to the might Marvel Western comic that my sister signed above).

Collectorz.com realizes that barcodes can be a useful way to enter titles, so they have a cool app called CLZ Barry to help you zap your books and have them show up instantly in the Comic Collector software.

At least that's the theory.

Using CLZ Barry
I don't like this software very much. As much as I love the rest of Comic Collector, I think this add-on feels buggy. It just doesn't feel finished. I'm actually a fan of minimalist software, but this crosses the line from minimalist to just flat-out incomplete.  I'll explain.

The software comes in two parts:

1. An app for your smart phone (I have a Droid Razr, but I also used it on a Motorola Droid)
2. An application for your computer

Here's the screenshot of the desktop application:

That's it, folks. There's nothing else. Just a connection screen. There's not even a link to the help file: You have to go to your Start Menu to find that. To me, that's just not how you make professional-grade software. I don't dig it, folks.

The smartphone app is worse. There's no documentation at all, and this is really important because the icons are very important, and I have to go back to the Website to look up what they mean. These should be documented right in the software and the smartphone.  By the way, here's what they mean:

Click on pic to read at full size

Using CLZ Barry

Once you have the software running on your PC or Mac (in my PC it is visible in the system tray next to the clock) and on your smart phone, it's time to get scanning. For this test, I chose the aforementioned issues of Karate Kid. I thought these would be a good test because they are DC comics, fairly mainstream, but also a little bit old. I thought this might be a good test of both the software and the database.

I activated the software on both PC and phone and then followed the instructions by opening the Comic Collector software and putting the cursor in a text field on the "Add Comics Automatically" pane with the "Search by Barcode Tab."

Click on pic to read at full size

When you hold the camera phone over the barcode it vibrates to let you know that it had taken the picture. Meanwhile, back on your desktop, the barcode numbers appear in the search box and... yield no results. Not one of the Karate Kid comics were in the database. Neither were three other DC comics and a Marvel that I grabbed. I scanned Action Comics #460 and got results... wrong ones. It offered several choices as being possible, but they were all wrong.

I then tested it with a handful of Archie comics that came out in the past year, and all of them were in the database (including a Jughead Double Digest). This gives me meager hope that this software will be useful for quickly entering comics that were released in this century. But, of course, since 90% of my collection is from before 2000, this could prove to be small comfort.

So, even though the software works in the physical context, the truth is that the database doesn't have the barcode info for the really old comics. Plus, entering single comics with this scanner is just so darned tedious. It's much faster to just enter them manually by selecting a series and then clicking on the issues you have.

But all that aside, I just hate using the smartphone app. I think the most annoying feature is that it scans for you the second that you put it over a barcode. I would much rather hit a button to click the photo myself. This would make it more intuitive and easier to use. At least for me, that is. But I think the real problem is that it just doesn't take into account the fact that different people enjoy using software in different ways. Having the option to be manual or automatic would be a great boon. As would having the meaning of the icons explained in the software itself. 

In short, even though the software works, it feels half-baked and not quite ready for prime time.

See you for Wednesday as I wrap up my review for Comic Collector with a final look at scanning multiple comics at once and my final thoughts on this great program.

Netflix Friday: Eden of the East

I like anime, but I don't love it. Most of the stuff that other people rave about leaves me indifferent. I tend to prefer light comedies like Oh! My Goddess! or Ouran High School Host Club (just try to get the cute pop theme song out of your head). I have a mild interest in Full Metal Alchemist -- but just mild.

Both of these series are available on Netflix and I'm planning to catch up on them -- particularly Oh! My Goddess, which is probably one of the most romantic and cute series ever made. If you are an anime fan and would like to get a girl hooked on Anime, this is the series you should use. It's about a loser of a college boy who lives in the dorm and, as an underclassman, is hazed by the older members. But he's a good guy, so the universe grants him a wish. A beautiful girl "angel" (they call her a "goddess" but she's much closer to what we would think of as an angel) comes down to grant it, but he thinks it's a joke so he wishes that she was his girlfriend. So, he gets his wish... sort of. She moves down to earth with him and then begins the long process of them living together in platonic bliss as he starts courting her. It's very sweet... until her sisters move in to make sure there's no hanky panky going on.

One of the few action series I like is Cowboy Bebop, which is about bounty hunters in the future. The series is named after the spaceship they roam around the solar system in while trying to make a living catching bad guys. It's a popular series with some of the best jazz music I've ever heard on a TV show. It's also the only anime that my wife ever watched without me. Years ago I rented the theatrical movie based on the series and my wife went to bed about two-thirds through the movie. The next day she actually put it back on to find out how it ended.

My wife said she liked it because, if it had been live action, it would have been a decent action movie. I totally agree with her. Cowboy Bebop would make a great series of movies because it has memorable characters and it's more-or-less grounded in reality. The characters have realistic abilities (if they run a long way they get winded, if they jump down from a high distance they might get hurt) and if they are injured in one episode they might still be healing those injuries in the next.

Eden of the East reminds me of Cowboy Bebop in that way: It's more or less realistic -- at least so far. This series (there are 11 episodes on Netflix and two movies, which are not -- I'll have to track them down elsewhere) seems to be set in the present day, or perhaps just a few years in the future (less than 10). There are no flying cars or space travel here. People move around by motorcycle and airplane.

Here's a description of the series from Wikipedia:

On Monday, November 22, 2010, ten missiles strike against uninhabited areas of Japan, claiming no victims. This apparent terrorist act is referred to as "Careless Monday" and disregarded by most people. The series begins three months later, on Sunday, February 13, 2011, when a young Japanese woman named Saki Morimi visits Washington D.C. as part of her graduation trip. When she gets into trouble, a mysterious Japanese man, who introduces himself as Akira Takizawa, helps her through it. The man appears to have no memory and is completely naked, carrying only a gun and a cell phone charged with 8.2 billion in digital money. While they are coming back to Japan, they learn that a new missile has hit their country.

Akira discovers that his phone is part of a game created by a "Mr. Outside," and that he himself is one of the participants. The game consists of twelve individuals, dubbed Seleção (Portuguese: "Selection"), who are given 10 billion to "save" Japan in some way. The Seleção are able to use the phone operator, Juiz (Portuguese: "Judge"), to fulfill any kind of order for a price. However, if the money is used up completely or for selfish purposes, the individual will be eliminated by the Supporter, the anonymous "twelfth man" of the group...

The series' first episode definitely caught my attention. Takizawa is an amusing character, yet obviously deadly. He finds he has multiple passports and some ability at fighting -- just as I was thinking, "Oh, this is like The Bourne Trilogy," he actually asked something to the effect of, "Am I Jason Bourne?" He isn't like Jason Bourne. Although he has a mysterious past (is he responsible for getting rid of thousands of people?) and why did he buy a shopping mall, close it down and move in? And what's with all the weird activities being enacted by the other members of this game? And then, of course, what is his relationship with Saki? Does he keep pulling her back into his life for romantic reasons, or is there something else?

A lot of this intrigue is hinted at in the opening sequence (here' it is from YouTube, but sorry I couldn't find a version with subtitles to the lyrics).

Right now I'm just about halfway through the series and will probably finish it this week (I only watch 2-3 episodes at a time). I have to give a little bit of a warning: The series starts off relatively light (if you consider a missile attack on Tokyo "light"), but around episode 5 things get darker as we learn that some of the other game players are not very nice people. There is no nudity or excessive violence (some, but it's not excessive -- it's in line with what you'd see on a gritty American TV show), but there is some implied sexual imagery and -- I don't want to give anything away, but there are some pretty intense moments when one of the character is abducted and threatened with  severe bodily harm.

If you like anime, you will almost certainly like this series. If you have an open mind  about anime but are turned off by excessive violence, magic/sci-fi, then this series is definitely worth checking out. If it were a live-action series, I think people would be talking about it. If you don't like anime, I think you should go back and start watching Ah! My Goddess! (sorry, it's spelled both Oh! and Ah!, depending on which edition you're watching).

As for me, I know what I'll be watching this weekend -- I'll be finishing Eden of the East.

See ya Monday for some more thoughts about Comic Collector by Collectorz.com

Comics Software Review: Choosing Collectorz.com, pt. 4

So now that I've finally selected Comic Collector by Collectorz.com to catalog my supposed collection of 10,000 comics, I've been steadily entering titles and issues. Since I started with Archie Comics, I don't have as many as I would have if I had started with Marvel or DC Comics.

If I had to guess, I would think that I probably had more Marvels than DCs, but I honestly don't know if that's true. You see, I go through periods where I buy more of one publisher than the other, but then change as my tastes evolve, and as the quality of the comics changes.  Among the titles I expect to have a lot of, there are the usual suspects: X-Men (at least 150 issues in a row with no breaks) and Daredevil (probably about the same, but there may be a few breaks after issue 300 when Frank Miller left to pursue Battier pastures with The Dark Knight Returns).

I also expect to find good runs of the following titles:

• The Defenders (I've got almost the entire run of 150 issues, missing only a few early issues -- but not #1 because I've got that!)
• Jonah Hex (original series, I have most of it)
• The Warlord (probably just missing the early issues)
• Knights of the Dinner Table (I'm probably only missing four or five issues -- they were destroyed in a flood)

Fortunately, Comic Collector has cool reporting tools to help me track what I have, and to make "Wish Lists" of things I need. Here's a breakdown of the main publishers I've cataloged so far (from Oct. 28, 2011 - April 8, 2012):

Click on image to see full-size.

• 802 Archie
• 574 DC Comics
• 537 Marvel Comics
• 95 Kenzer and Company
• 41 Eclipse Comics
• 29 Dork Storm Press
• 28 First Comics
• 25 Abstract Studio
• 16 Harvey Comics
• Many others

As you can see, Comic Collector does an admirable job of reporting what's in your collection. I may do another column on just the reporting tools. It shows both bar charts and pie charts, plus it has the ability to create custom filters that let you look for specific types of comics (for instance, I have 575 comics digests, of which 560 are Archie Comics digests -- the others are from DC Comics, Harvey Comics, and a few others).


Filters: Let's hear it for Al Milgrom

Filters may be one of the most powerful features of the reporting tools. In addition to finding out that I have almost 600 comics digests, I can create a filter to search for individual characters (Archie is in about 805 titles) or I can filter by creators. For example, out of the comics I've cataloged, 52 feature work by the incomparable Al Milgrom. Most of his work in my collection is for Marvel (including this cool Black Panther cover right here).

It's also possible to filter for specific characters, so if you want to know how many times Spider-Man appears in your collection, you can search for it. For example, Spider-man appears in 70 different titles. Or, that is to say, the word "Spider-Man" appears in the descriptions of 70 different comics. You see, although there is a screen for listing specific characters in a comic, these are often empty. Some people choose to mention the character in the text description of the title (it's that part that appears in the right-hand detail panel). So doing a full text search for Spider-Man seems like a better way to track down our friendly neighborhood Spider-man.


Let it all hang out (online, that is)
Since I purchased this software, they have actually added a feature that makes it even cooler than it was. They have provided us PRO users with the ability to post our collections online via Sync & Share. Here's what it says about this service at their Website:

• Sync & Share is a basic Connect edition, created for desktop users who just want to sync their collection online and share it with friends, but wish to keep using their desktop software (Windows or Mac) to manage (add/edit) their database.
• Sync & Share includes all browsing, viewing, sorting, searching, sharing, Facebook, Twitter and statistics features of Connect. But NOT the Add feature and NOT the Edit feature.
• In other words, you will be able to upload your collection online, access your own collection from anywhere, any device and share the list with friends. However, you will need to do your data additions and modifications offline, with your trusted desktop software, then re-sync to Connect.
• In short, Sync & Share is Connect without the adding and editing features.
• A full-featured Connect subscription is available for US $19.80 per year.

I didn't review their Connect service because, as I said before, I was only interested in a desktop solution without annual fees. But this addition actually fills in one of the minor gaps in their software: An online component that I can use to track what's in my collection so that I can avoid buying duplicates when I'm at my friendly local comic book store.

This feature was added in March 2012, and it's fantastic. In addition to being viewable on my computer, it also has a cool smart phone interface, which is perfect for that comic book store scenario I described above.

If you're interested in seeing my collection, you can take a quick peek right here:
http://connect.collectorz.com/users/mmitchell/view

By the way, the online system has reports, too, including this cool chart with a percentage breakdown of my comics by publisher (the percentage is available when you rollover the pie slice: I added them to the graphic so you can see them here).

There's also a bar chart showing the my comics ranked by title. Here's my top 5 series (so far -- keep in mind, I have not yet entered most of the Marvel of DC comics):

• 89  Archie's Pals 'n' Gals Double Digest
• 84  Jughead's Double Digest
• 83  Knights of the Dinner Table
• 74  Archie Double Digest
• 68  Betty & Veronica Double Digest

Finally, there are a few other cool features that bear discussion, such as the smart phone tools that let you browse your collection and use your phone's camera as a bar card reader: Yes, there's an app for that! As we'll talk about it next week as I finally conclude my series about the totally cool Comic Collector by Collectorz.com.

And see you back here to launch the weekend off in style with another edition of Netflix Friday.

Comics Software Review: Choosing Collectorz.com, pt. 3

One of the more difficult things about cataloging a lot of comics is that, well... there are a lot of comics! I don't just mean in my collection, but just out there. There's more than just Marvel, DC, Archie, IDW and Dark Horse. There are also defunct publishers like Atlas, Charlton, Gladstone, Disney, Dell, Harvey (old and new) and more. And don't even get me started on the US/UK differences or the titles published in Spanish or Norwegian (yes, I have one Norwegian comic -- it's a Donald Duck comic and I bought it just for the sole purpose of having a comic from Norway).

I added this scan to the database

Although the Collectorz.com database that powers the Comic Collector software is fairly complete, it does have gaps. Most of the time, it's just a missing cover that can easily be tracked down and added to your local database. Most covers are out there just waiting for Google to pluck them out of the aether, but sometimes you have to scan a cover yourself and then add it to the title. That really isn't a big deal because I'm good with Photoshop (I've actually taught it in college) and it doesn't take very long. Once the cover is scanned, you can also upload it to the Collectorz database so it can be shared with other collectors.

Missing covers is one of the reasons I started cataloging my Archie Comics first. You see, I knew that the database would do a pretty good job with DC and Marvel Comics. There are tons of fanboys out there just scanning and indexing and obsessing over every little detail (including variant spelling of creators names).  The Archie stuff, though, is missing quite a few covers and even a few series.

I had to add the series for Jughead's Pal Hot Dog (a weird little series about Hot Dog's adventures in space and on earth using high-tech gadgetry). I also had to add Archie's Explorers of the Unknown (and even had to point out that, although Archie's name is on the cover, it is not inside the indicia (that small block of type at the bottom of the front page of the comic) because that's the sort of stuff we fans obsess over).

Ch-ch-changes...

I added this scan to the database

For example, this issue of Thunderbolt #57 was in the Collectorz database, but it had the wrong cover. You see, in the waning days of Charlton Comics, they reprinted a handful of their titles under the name "Modern Comics" so they could bag them and sell them in K-Mart and other stores. Their database correctly listed that this issue was the Modern Comics variant, but it had the Charlton Comics cover.

I quickly scanned the cover and, in the Comic Collector software, corrected the cover and added Dick Giordano as the editor. Once it was correct in my listing, I selected the "Submit to Collectorz.com Database..." option under the edit menu. The software quickly uploaded the issue to their system so it could be processed and everyone could have access to my scan.

As a follow-up to the upload, I usually go to the Collectorz.com forums and mention my update to the moderator who goes by the name of "Rowdy." Rowdy is dude in charge of actually making the changes to the database, so giving him more info about what's going on is a good idea. He is always courteous, professional, and helpful. In fact, he was one of the customer service factors that helped me decide that Collectorz.com was a product I would be easy to maintain.

Click to view full-size image

I've made around 40 change requests/submissions since I started using this software back in October 2011 (yup, I've been working with the database for about four months now and have entered about 2,300 comics).

So far, I think I've added more than 100 covers to the database, which is why it's taken me this long just to get 2,300 comics into my system. I thought about skimming along and ignoring the blank covers (when it has the issue but no cover art, it has a placeholder that you can see in this screenshot). But I quickly decided that I didn't want to do that.

The purpose of this initial test was to see how easy it would be to add my collection, and that meant taking the time to do it right. My goal here is not to have a rough guess of what I've got, but an accurate count. And part of that means getting the covers and other info right -- even when it means scanning and submitting all the info I have on an obscure comic like this one-shot of Pixie and Dixie from 1962.

I'm expecting the pace to pick up quickly as I move into my Marvel and DC comics. I have a lot of long runs (like X-Men #143-305, or something like that), plus lots of Daredevil and other titles that go for years without a break. If they are all together (and many of them are), then I will be able to add hundreds of comics at a single time.

After that, of course, I'll finally be able to get a grip on what I've got and where it is.

Next Wednesday, we'll take a final look at Collectorz.com's cool reporting features, and the ability to put your collection online! Yes, you'll finally be able to get a glimpse at what I've got stuffed in all those boxes.

Netflix Friday: Godzilla vs. Gamera

I think the words of Blue Oyster Cult say it all:

With a purposeful grimace and a terrible sound He pulls the spitting high-tension wires down 
Helpless people on subway trains Scream, bug-eyed, as he looks in on them 
He picks up a bus and he throws it back down As he wades through the buildings toward the center of town 
Oh, no, they say he's got to go Go go Godzilla Oh, no, there goes Tokyo Go go Godzilla

-- Blue Oyster Cult, "Godzilla" 

Courtesy Monster Island News

I love monster movies! Particularly Kaiju Eiga: That is to say, Japanese monster movies featuring guys in rubber suits smashing buildings and other monsters. There is just something primal about seeing someone knock over model buildings. I think it comes from my childhood -- I would make Lego buildings and smash them down. It made me feel like a giant!

Now, I already have most of the Godzilla movies on DVD. I've also got a nice selection of other Japanese monster movies on tap. All in all, I've got a whole DVD cabinet full of them. Since I'm trying to get the most bang for my buck, though, I thought I'd do a search and see what they could offer me in the way of rubber-suited mayhem. Here's what I found featuring the king of monsters himself, Godzilla:

• Godzilla: King of the Monsters (1956) The first and best of the movies, in my opinion. And yes, I prefer it to the original Gojira... which they also have.
• Gojira (1954) - The original in the original language. I think some of the edits, and Raymod Burr's narration in the American dub of this movie, actually improve it.
• Godzilla vs. Monster Zero (1965) One of the better monster vs. monster movies in the early cannon: The Big G fights Rodan (and I don't mean the guy who sculpted The Thinker)
• Godzilla vs. Mothra (1964) I love Mothra, particularly in her later appearances. Still, this one features a pair of diminutive fairies that are mega hot in a tiny chick kinda way. BTW: This is also known as "Godzilla vs. The Thing
• Godzilla Raids Again (1955) Okay, I don't really like this movie very much, but it's nice to know it's here.
• Godzilla's Revenge (1969) This movie is the Yoko Ono of G Films. It's so bad it could almost kill the franchise. This is the movie that features a kid on Monster Island hanging out with Minya... Godzilla's son. And no, his son was NOT "Godzuki." That was just from the crappy Hanna-Barbera cartoon series. His real name is Minya.
• Terror of Mechagodzilla (1975) AKA "Godzilla vs. the Bionic Monster." Yup, this is where we meet the Iron Man version of The Big G.
• Ghidorah: The Three Headed Monster (1964) Monster mayhem ensues when Godzilla and Rodan team up to battle the cosmic bad-asssery of the three-headed space dragon, King Ghidorah.

They also have both of the animated Godzilla series -- the one from 1978 and the modern one from 1998.

FAIR WARNING: These films rotate on a regular basis. For example, last month they didn't have as many Godzilla films, but they had a lot of Gamera movies available. Aside from a bunch of cheesy Sci-Fi Channel movies (oops, I mean SyFy movies), there's not much else up at the moment except for the 1966 War of the Gargantuas. Even Mystery Science Theater 3000 is missing from the fray this month.

Korean monster movies are fairly well represented:

• The Host (2006) This Korean film offers a fairly modern and somewhat realistic view of what would really happen if a giant monster suddenly appeared in Asia.
• Yongary, Monster from the Deep (1967) Old-school weirdness about a boy who likes monsters (and even dances with one)

There's also an odd sounding film called Monster (2008) "Emerging from the rubble after a massive Tokyo earthquake, two American filmmakers realize they've accidentally captured a 200-foot monster on film." I added this one to my Instant Queue and will be watching it soon.

That's one of the cool things about Netflix. If you don't see something you like this month, just come back next month and check again.

Comics Software Review: Choosing Collectorz.com, pt. 2

Collectorz.com definitely had the main features I was interested in: Software stored info on my hard drive (not just an online service), it had a modern loo, it provided stats on my collection and individual series, and it was at a price I could afford ($30 for standard version, $50 for pro) for a collection of unlimited size. It also has a comprehensive cover database and the ability to add custom fields to each comic.

Click on image to see full size view

In addition to Collectorz.com's Cover Flow which we looked at last time, there are two other views that are very welcome when dealing with a lot of comics. This Image View is very useful for looking at your collection as a whole. You can quickly glance at covers throughout the run to see what you've got. But sometimes you need to see a lot of info at at time, including cover dates and other info.

Click on image to see full-size view

In this screen shot, I'm showing the Publisher, which really doesn't help matters when dealing with this particular run of comics. However, when looking at some older titles that hopped around a bit (like Donald Duck or Godzilla), that info could be helpful.


All in Color for a Dime

Click on image to see full-size view

So the software had decent reporting, sorting and detail features. All of that is nice, but the main thing I need to do with this software is enter my collection, which is something this software did better than the other two I looked at.

If the series does not exist in your collection, you start by typing in the title. This brings up a list of titles that match your criteria. In this example I search for the title "Avengers" and get all the various Avenger titles out there (I blew the text up in this image to make it readable in the thumbnail). Since I've already added a few titles, you can see them in blue text. As you can see, the Publisher info is a little more useful here because it helps you distinguish between the US and UK editions.

Click on image to see full-size view

 Next to each title is the number of issues in that title. This is very useful info. Take, for example, the West Coast Avengers title. You can see that there are two identical titles, but the first one only has four issues which helps me identify that it's the original four-issue miniseries from 1984 and not the 102-issue series that started the next year.

Once you select a title, you can expand it and then select all of the issues in that run (as shown in this screenshot) by clicking on the checkbox next to the title name. Or you can add individual issues one at a time. Or you can click on the series, add all the issues, then go back through and unselect any issues you don't have. This entry method is one of the things that definitely set this software apart from ComicBase 15, which required that you enter the entire run at once and then go back and pull out the issues you didn't want. To me, that was one of the two deal breakers (the other being the price).

One thing I didn't like at first about Collectorz.com's entry system was that when you clicked on an individual issue in the treeview, it didn't automatically bring up the cover. There was a link in the right-hand pane where you could click to see the cover (alternatively, you can double-click on the name of the comic and the detail info will come up. As I said, I didn't like this at first, but after the buggy downloading and scrolling issues I had with ComicBase, this turned out to be much less annoying and much faster because I wasn't waiting for covers that I don't need to download.

Click on image to see full-size view

In this example, you can see that I brought up the cover (and details) before adding the issue to my collection. I had to make sure which of the two variant covers for this issue was the one that came with my Kevin Keller subscription (again, I've increased the type size to make it easier to read).

That's an area where Comic Collector shines. It handles variant covers, editions and even variant publishers with ease (a variant publisher might be someone like Diamond or Wizard who reprints Action Comics #1 as a promotional comic, or DC Comics reprinting Police Comics #1 to celebrate the first appearance of Plastic Man).

Click on image to see full-size view

It also has the ability to handle (and enter) a lot of detailed info, such as cover price, release date, creators, characters, publisher, story title, and it will even track cross-overs (like those big summer blockbuster mega series that hop around from title to title). It also tracks info about your copies, specifically how many copies you have, condition, and (super important to me) it lets you create individual fields of info, such as Location. This helps me track which box has which comic. The ability to edit several comics at once (once the comic is entered, you go to the List View and click on multiple comics and then you can edit all of the info for the titles selected -- in this case, the Location attribute).

As you may recall, the custom field option was an absolute must have on my Wish List for comic book database software. After all, what's the point of having a lot of comics if you can't find your copy of Joker #1? These features combined to make this a product I like using. And these are the main reasons I selected the Pro Version of Collectorz.com's Comic Collector as the software I am now using to catalog my collection.

Check back Monday for some closing thoughts on Collectorz.com's software, and stay tuned for more adventures in collecting.